{"id":50101,"date":"2017-02-01T18:27:30","date_gmt":"2017-02-02T00:27:30","guid":{"rendered":"http:\/\/news.medill.northwestern.edu\/chicago\/?p=50101"},"modified":"2017-02-01T18:27:30","modified_gmt":"2017-02-02T00:27:30","slug":"female-empowerment-shines-through-south-asian-mythology","status":"publish","type":"post","link":"https:\/\/news.medill.northwestern.edu\/chicago\/female-empowerment-shines-through-south-asian-mythology\/","title":{"rendered":"Female empowerment shines through South Asian mythology"},"content":{"rendered":"<p><strong>By Abhinanda Datta<\/strong><\/p>\n<p class=\"dropcap\">As women marched on the streets in the thousands to unite against Donald Trump\u2019s presidency, <a href=\"http:\/\/mandalaarts.org\/\" target=\"_blank\">MANDALA<\/a> ,an organization for South Asian Performing Arts, recently depicted women empowerment through dance performances.<\/p>\n<p>\u201cConversations with Devi\u201d portrayed the endless facets of womanhood and her role in society. Bharata Natyam, a dance form indigenous to South India was used to relay tales deeply rooted in South Asian mythology. Each of the three tales \u2013 Mahisha Asura Mardhani, Varaha and Bhasma Asura &#8211; is defined by the Asura\u2019s (demon\u2019s) greed for power and his subsequent defeat at the hands of the Devi (goddess).<\/p>\n<div class=\"wpmf-gallerys wpmf-gallerys-life\"><div id=\"gallery-1\" class=\"gallery gallery_life wpmf_gallery_default gallery_default none gallery-columns-3 gallery-size-thumbnail gallery-link-post wpmf-has-border-radius-0 wpmf-gutterwidth-5 no_ratio\"><figure class=\"wpmf-gallery-item\" data-index=\"0\"><div class=\"wpmf-gallery-icon\"><div class=\"square_thumbnail\"><div class=\"img_centered\"><a class=\" not_video noLightbox\" data-lightbox=\"0\" data-href=\"https:\/\/news.medill.northwestern.edu\/chicago\/wp-content\/uploads\/sites\/3\/2017\/01\/Dance-1-1024x680.jpg\" title=\"Dance-One\" target=\"_self\" data-index=\"0\"><img decoding=\"async\" class=\"wpmf_img\" alt=\"Durga Devi in Mahishasura Mardhani\" src=\"https:\/\/news.medill.northwestern.edu\/chicago\/wp-content\/uploads\/sites\/3\/2017\/01\/Dance-1-150x150.jpg\" data-type=\"wpmfgalleryimg\" data-lazy-src=\"https:\/\/news.medill.northwestern.edu\/chicago\/wp-content\/uploads\/sites\/3\/2017\/01\/Dance-1-150x150.jpg\"><\/a><\/div><\/div><\/div><figcaption class=\"wp-caption-text gallery-caption\">Kinnari Vora as Durga Devi in Mahisha Asura Mardhani. (Abhinanda Datta\/MEDILL)<\/figcaption><\/figure><figure class=\"wpmf-gallery-item\" data-index=\"1\"><div class=\"wpmf-gallery-icon\"><div class=\"square_thumbnail\"><div class=\"img_centered\"><a class=\" not_video noLightbox\" data-lightbox=\"0\" data-href=\"https:\/\/news.medill.northwestern.edu\/chicago\/wp-content\/uploads\/sites\/3\/2017\/01\/Dance12-1024x680.jpg\" title=\"Dance-one second\" target=\"_self\" data-index=\"1\"><img decoding=\"async\" class=\"wpmf_img\" alt=\"Birth of Durga\" src=\"https:\/\/news.medill.northwestern.edu\/chicago\/wp-content\/uploads\/sites\/3\/2017\/01\/Dance12-150x150.jpg\" data-type=\"wpmfgalleryimg\" data-lazy-src=\"https:\/\/news.medill.northwestern.edu\/chicago\/wp-content\/uploads\/sites\/3\/2017\/01\/Dance12-150x150.jpg\"><\/a><\/div><\/div><\/div><figcaption class=\"wp-caption-text gallery-caption\">Vora interprets the birth of Durga &#8211; the invincible one, who is created with the combined divine power of the gods after they are banished from their heavenly abode by Mahishasura. (Abhinanda Datta\/MEDILL)<\/figcaption><\/figure><figure class=\"wpmf-gallery-item\" data-index=\"2\"><div class=\"wpmf-gallery-icon\"><div class=\"square_thumbnail\"><div class=\"img_centered\"><a class=\" not_video noLightbox\" data-lightbox=\"0\" data-href=\"https:\/\/s3.amazonaws.com\/medill.wordpress.offload\/WP%20Media%20Folder%20-%20medill-reports-chicago\/wp-content\/uploads\/sites\/3\/2017\/01\/Dance13-1024x680.jpg\" title=\"Dance-one third\" target=\"_self\" data-index=\"2\"><img decoding=\"async\" class=\"wpmf_img\" alt=\"Durga and Mahishaura fight\" src=\"https:\/\/s3.amazonaws.com\/medill.wordpress.offload\/WP%20Media%20Folder%20-%20medill-reports-chicago\/wp-content\/uploads\/sites\/3\/2017\/01\/Dance13-150x150.jpg\" data-type=\"wpmfgalleryimg\" data-lazy-src=\"https:\/\/s3.amazonaws.com\/medill.wordpress.offload\/WP%20Media%20Folder%20-%20medill-reports-chicago\/wp-content\/uploads\/sites\/3\/2017\/01\/Dance13-150x150.jpg\"><\/a><\/div><\/div><\/div><figcaption class=\"wp-caption-text gallery-caption\">Vora as Durga, armed with celestial weapons faces Mahishasura and after a long battle, succeeds in defeating him. (Abhinanda Datta\/MEDILL)<\/figcaption><\/figure><figure class=\"wpmf-gallery-item\" data-index=\"3\"><div class=\"wpmf-gallery-icon\"><div class=\"square_thumbnail\"><div class=\"img_centered\"><a class=\" not_video noLightbox\" data-lightbox=\"0\" data-href=\"https:\/\/s3.amazonaws.com\/medill.wordpress.offload\/WP%20Media%20Folder%20-%20medill-reports-chicago\/wp-content\/uploads\/sites\/3\/2017\/01\/Dance2-1024x680.jpg\" title=\"Dance-two\" target=\"_self\" data-index=\"3\"><img decoding=\"async\" class=\"wpmf_img\" alt=\"Bhoomi Devi\" src=\"https:\/\/s3.amazonaws.com\/medill.wordpress.offload\/WP%20Media%20Folder%20-%20medill-reports-chicago\/wp-content\/uploads\/sites\/3\/2017\/01\/Dance2-150x150.jpg\" data-type=\"wpmfgalleryimg\" data-lazy-src=\"https:\/\/s3.amazonaws.com\/medill.wordpress.offload\/WP%20Media%20Folder%20-%20medill-reports-chicago\/wp-content\/uploads\/sites\/3\/2017\/01\/Dance2-150x150.jpg\"><\/a><\/div><\/div><\/div><figcaption class=\"wp-caption-text gallery-caption\">Malavika Thampi as Bhoomi Devi, the Hindu goddess representing Mother Earth in Varaha. (Abhinanda Datta\/MEDILL) <\/figcaption><\/figure><figure class=\"wpmf-gallery-item\" data-index=\"4\"><div class=\"wpmf-gallery-icon\"><div class=\"square_thumbnail\"><div class=\"img_centered\"><a class=\" not_video noLightbox\" data-lightbox=\"0\" data-href=\"https:\/\/news.medill.northwestern.edu\/chicago\/wp-content\/uploads\/sites\/3\/2017\/01\/Dance22-1024x680.jpg\" title=\"Dance-two second\" target=\"_self\" data-index=\"4\"><img decoding=\"async\" class=\"wpmf_img\" alt=\"Bhoomi Devi&#039;s quest against Hiranyaksha\" src=\"https:\/\/news.medill.northwestern.edu\/chicago\/wp-content\/uploads\/sites\/3\/2017\/01\/Dance22-150x150.jpg\" data-type=\"wpmfgalleryimg\" data-lazy-src=\"https:\/\/news.medill.northwestern.edu\/chicago\/wp-content\/uploads\/sites\/3\/2017\/01\/Dance22-150x150.jpg\"><\/a><\/div><\/div><\/div><figcaption class=\"wp-caption-text gallery-caption\">Thampi portrays Bhoomi Devi who is taken captive by the demon Hiranyaksha. (Abhinanda Datta\/MEDILL)<\/figcaption><\/figure><figure class=\"wpmf-gallery-item\" data-index=\"5\"><div class=\"wpmf-gallery-icon\"><div class=\"square_thumbnail\"><div class=\"img_centered\"><a class=\" not_video noLightbox\" data-lightbox=\"0\" data-href=\"https:\/\/s3.amazonaws.com\/medill.wordpress.offload\/WP%20Media%20Folder%20-%20medill-reports-chicago\/wp-content\/uploads\/sites\/3\/2017\/01\/Dance23-1024x680.jpg\" title=\"Dance-two third\" target=\"_self\" data-index=\"5\"><img decoding=\"async\" class=\"wpmf_img\" alt=\"Bhoomi Devi&#039;s joyous victory against the Asura\" src=\"https:\/\/s3.amazonaws.com\/medill.wordpress.offload\/WP%20Media%20Folder%20-%20medill-reports-chicago\/wp-content\/uploads\/sites\/3\/2017\/01\/Dance23-150x150.jpg\" data-type=\"wpmfgalleryimg\" data-lazy-src=\"https:\/\/s3.amazonaws.com\/medill.wordpress.offload\/WP%20Media%20Folder%20-%20medill-reports-chicago\/wp-content\/uploads\/sites\/3\/2017\/01\/Dance23-150x150.jpg\"><\/a><\/div><\/div><\/div><figcaption class=\"wp-caption-text gallery-caption\">Thampi as Bhoomi Devi appeals to Lord Vishnu to save her and she falls in love with her savior and becomes one of Vishnu&#8217;s consorts. (Abhinanda Datta\/MEDILL) <\/figcaption><\/figure><figure class=\"wpmf-gallery-item\" data-index=\"6\"><div class=\"wpmf-gallery-icon\"><div class=\"square_thumbnail\"><div class=\"img_centered\"><a class=\" not_video noLightbox\" data-lightbox=\"0\" data-href=\"https:\/\/news.medill.northwestern.edu\/chicago\/wp-content\/uploads\/sites\/3\/2017\/01\/Dance3-1024x932.jpg\" title=\"Dance-three\" target=\"_self\" data-index=\"6\"><img decoding=\"async\" class=\"wpmf_img\" alt=\"Ashwaty Chennat\" src=\"https:\/\/news.medill.northwestern.edu\/chicago\/wp-content\/uploads\/sites\/3\/2017\/01\/Dance3-150x150.jpg\" data-type=\"wpmfgalleryimg\" data-lazy-src=\"https:\/\/news.medill.northwestern.edu\/chicago\/wp-content\/uploads\/sites\/3\/2017\/01\/Dance3-150x150.jpg\"><\/a><\/div><\/div><\/div><figcaption class=\"wp-caption-text gallery-caption\">Ashwaty Chennat as Vishnu\/Mohini.  (Abhinanda Datta\/MEDILL)<\/figcaption><\/figure><figure class=\"wpmf-gallery-item\" data-index=\"7\"><div class=\"wpmf-gallery-icon\"><div class=\"square_thumbnail\"><div class=\"img_centered\"><a class=\" not_video noLightbox\" data-lightbox=\"0\" data-href=\"https:\/\/s3.amazonaws.com\/medill.wordpress.offload\/WP%20Media%20Folder%20-%20medill-reports-chicago\/wp-content\/uploads\/sites\/3\/2017\/01\/Dance32-1024x680.jpg\" title=\"Dance-three second\" target=\"_self\" data-index=\"7\"><img decoding=\"async\" class=\"wpmf_img\" alt=\"Mohini and Bhasmasura\" src=\"https:\/\/s3.amazonaws.com\/medill.wordpress.offload\/WP%20Media%20Folder%20-%20medill-reports-chicago\/wp-content\/uploads\/sites\/3\/2017\/01\/Dance32-150x150.jpg\" data-type=\"wpmfgalleryimg\" data-lazy-src=\"https:\/\/s3.amazonaws.com\/medill.wordpress.offload\/WP%20Media%20Folder%20-%20medill-reports-chicago\/wp-content\/uploads\/sites\/3\/2017\/01\/Dance32-150x150.jpg\"><\/a><\/div><\/div><\/div><figcaption class=\"wp-caption-text gallery-caption\">In order to defeat the greedy demon Bhasmasura, Lord Vishnu entices him in the guise of a beautiful woman named Mohini, interpreted by Chennat. (Abhinanda Datta\/MEDILL)<\/figcaption><\/figure><figure class=\"wpmf-gallery-item\" data-index=\"8\"><div class=\"wpmf-gallery-icon\"><div class=\"square_thumbnail\"><div class=\"img_centered\"><a class=\" not_video noLightbox\" data-lightbox=\"0\" data-href=\"https:\/\/news.medill.northwestern.edu\/chicago\/wp-content\/uploads\/sites\/3\/2017\/01\/Dance33-1024x680.jpg\" title=\"Dance-three third\" target=\"_self\" data-index=\"8\"><img decoding=\"async\" class=\"wpmf_img\" alt=\"Mohini&#039;d Dance with the Asura\" src=\"https:\/\/news.medill.northwestern.edu\/chicago\/wp-content\/uploads\/sites\/3\/2017\/01\/Dance33-150x150.jpg\" data-type=\"wpmfgalleryimg\" data-lazy-src=\"https:\/\/news.medill.northwestern.edu\/chicago\/wp-content\/uploads\/sites\/3\/2017\/01\/Dance33-150x150.jpg\"><\/a><\/div><\/div><\/div><figcaption class=\"wp-caption-text gallery-caption\">Chennat as Mohini dances and the demon emulates her, touching his head like she does, and immediately turns into ash due to the gift bestowed on him by Lord Shiva. (Abhinanda Datta\/MEDILL)<\/figcaption><\/figure><\/div><\/div>\n<p>&nbsp;<\/p>\n<div class=\"featurecaption\">Photo at top: Depiction of women empowerment through Bharata Natyam.(Abhinanda Datta\/MEDILL)<\/div>\n","protected":false},"excerpt":{"rendered":"<p>By Abhinanda Datta As women marched on the streets in the thousands to unite against Donald Trump\u2019s presidency, MANDALA ,an organization for South Asian Performing Arts, recently depicted women empowerment through dance performances. \u201cConversations with Devi\u201d portrayed the endless facets of womanhood and her role in society. Bharata Natyam, a dance form indigenous to South [&hellip;]<\/p>\n","protected":false},"author":344,"featured_media":50102,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3516],"tags":[],"class_list":["post-50101","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-winter-2017"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Female empowerment shines through South Asian mythology - Medill Reports Chicago<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/news.medill.northwestern.edu\/chicago\/female-empowerment-shines-through-south-asian-mythology\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Female empowerment shines through South Asian mythology - Medill Reports Chicago\" \/>\n<meta property=\"og:description\" content=\"By Abhinanda Datta As women marched on the streets in the thousands to unite against Donald Trump\u2019s presidency, MANDALA ,an organization for South Asian Performing Arts, recently depicted women empowerment through dance performances. \u201cConversations with Devi\u201d portrayed the endless facets of womanhood and her role in society. Bharata Natyam, a dance form indigenous to South [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/news.medill.northwestern.edu\/chicago\/female-empowerment-shines-through-south-asian-mythology\/\" \/>\n<meta property=\"og:site_name\" content=\"Medill Reports Chicago\" \/>\n<meta property=\"article:published_time\" content=\"2017-02-02T00:27:30+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/news.medill.northwestern.edu\/chicago\/wp-content\/uploads\/sites\/3\/2017\/01\/Feature-4-e1485896970942.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1100\" \/>\n\t<meta property=\"og:image:height\" content=\"731\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"abhinandadatta2017\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"abhinandadatta2017\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/news.medill.northwestern.edu\\\/chicago\\\/female-empowerment-shines-through-south-asian-mythology\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/news.medill.northwestern.edu\\\/chicago\\\/female-empowerment-shines-through-south-asian-mythology\\\/\"},\"author\":{\"name\":\"abhinandadatta2017\",\"@id\":\"https:\\\/\\\/news.medill.northwestern.edu\\\/chicago\\\/#\\\/schema\\\/person\\\/6d3d58c770aec39e9c087c1026a4c145\"},\"headline\":\"Female empowerment shines through South Asian mythology\",\"datePublished\":\"2017-02-02T00:27:30+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/news.medill.northwestern.edu\\\/chicago\\\/female-empowerment-shines-through-south-asian-mythology\\\/\"},\"wordCount\":128,\"image\":{\"@id\":\"https:\\\/\\\/news.medill.northwestern.edu\\\/chicago\\\/female-empowerment-shines-through-south-asian-mythology\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/news.medill.northwestern.edu\\\/chicago\\\/wp-content\\\/uploads\\\/sites\\\/3\\\/2017\\\/01\\\/Feature-4-e1485896970942.jpg\",\"articleSection\":[\"Winter 2017\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/news.medill.northwestern.edu\\\/chicago\\\/female-empowerment-shines-through-south-asian-mythology\\\/\",\"url\":\"https:\\\/\\\/news.medill.northwestern.edu\\\/chicago\\\/female-empowerment-shines-through-south-asian-mythology\\\/\",\"name\":\"Female empowerment shines through South Asian mythology - 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